Not sure what that means...? The hill is not pasted in.Andras wrote:somehow the piece of hill doesn't add up.. Nice work though g.. d..mn!
Not sure what that means...? The hill is not pasted in.Andras wrote:somehow the piece of hill doesn't add up.. Nice work though g.. d..mn!
Over and under exposure conversions ? Wich levels ?I just take one picture and make 3,4 or 5 separate RAW conversions
See http://en.wikipedia.org/wiki/High_dynamic_range_imaging" onclick="window.open(this.href);return false;kdej wrote:
Wouzers
Wat een fotoo's
(wat is hdr eigenlijk ?)
HDR stands for High Dynamic Range.kdej wrote:wat is hdr eigenlijk
You can not do RAW conversion in Photoshop. You can do it with Adobe Camera Raw which works as a plug-in but is a separate platform. I work with Capture One 5 which I find to be excellent. I have taken lots and lots of landscape HDR shots with multiple exposures (as in several different frames), and the difference is minimal. In fact, I can't say for sure that I'd be able to tell the difference. Additionally, with multiple frames you introduce other factors that can (and usually will) become a problem: Moving clouds, moving trees or leaves, other moving objects. Even if you shoot a bracketed burst with the mirror up from a tripod with a cordless release you will get parts of the image "mushy" looking. Finally, with multiple frames you increase the likelihood of chromatic aberrations and purple fringing. At least that's what I have experienced.Zipper wrote:When you have only one picture, like these aircraft photo's (you can't take five from a tripod, when the object is moving fast of course), you can create the under- and over exposure photo's with a Photo Editing program like Photoshop and then proces them to HDR.
The result can be really good but not as good as when you work with five different pictures.
Best is to have RAW pictures, BTW.
Triple Nickel wrote:
Take the same photog's Mystere as an example: a really strong image, but it looks like a drawing because of the amount of contrast in details. To my eye*, that is not reality, it is derived from reality. I really like it but I think it strays from what Triple Nickel actually saw. To an extent, that goes for any photo, but our eyes* are used to the way reality is depicted in photos and at least I interpret them as such.Key wrote:where the effect is strong
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